Beneath - Vobes EP (PAN) Comentários: Beneath pulls up to PAN with a super forward platter of UK bass/techno dreadnaughts. Combining archival rolige with up-to-the-minute missiles, PAN's 51st release operates at the crucial nexus of dubwise dancehall science and minimalist techno, pairing uniquely sculpted rhythm dynamics with a filigree feel for aerated electronic timbre. Most importantly it's aimed squarely at the 'floor with 20" rimmed riddims bound to bounce any stack, but it's his taste for spectral, holographic electronic modelling that really sets each track apart from the crowd. The roiling bass, freaky blips and EBM stabs of 'Bored 2' already have anthem status around these parts, finding the square root of bleep techno, hardcore and grime without ever feeling like an exercise in nostalgia. 'Occupy' is icier, sinuous, rolling like some decelerated Optical Prototype contoured to a Funky/Techno coda, and 'One Blings' opens up fathoms of cyber-dread space between 'floor-skimming subs and tantalising, mercurial motifs that flit and dart like digickal duppies. However, 'Stress 1' is the deepest, the darkest, refining the Sheffield foundations of Richard H. Kirk and Rob Gordon, or the lessons of Digital Mystikz, for a masterful, mid-air gyration. Ultimately it's a shocker for the dancers and a tease for the heads, or simply a vital 12" for anyone who doesn't make such distinctions.
in boomkat
Beneath - Vobes EP (PAN) Comentários: Beneath pulls up to PAN with a super forward platter of UK bass/techno dreadnaughts. Combining archival rolige with up-to-the-minute missiles, PAN's 51st release operates at the crucial nexus of dubwise dancehall science and minimalist techno, pairing uniquely sculpted rhythm dynamics with a filigree feel for aerated electronic timbre. Most importantly it's aimed squarely at the 'floor with 20" rimmed riddims bound to bounce any stack, but it's his taste for spectral, holographic electronic modelling that really sets each track apart from the crowd. The roiling bass, freaky blips and EBM stabs of 'Bored 2' already have anthem status around these parts, finding the square root of bleep techno, hardcore and grime without ever feeling like an exercise in nostalgia. 'Occupy' is icier, sinuous, rolling like some decelerated Optical Prototype contoured to a Funky/Techno coda, and 'One Blings' opens up fathoms of cyber-dread space between 'floor-skimming subs and tantalising, mercurial motifs that flit and dart like digickal duppies. However, 'Stress 1' is the deepest, the darkest, refining the Sheffield foundations of Richard H. Kirk and Rob Gordon, or the lessons of Digital Mystikz, for a masterful, mid-air gyration. Ultimately it's a shocker for the dancers and a tease for the heads, or simply a vital 12" for anyone who doesn't make such distinctions. in boomkat
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